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Edirol Super Quartet

Another great thing about the Edirol Super Quartet is that it is much easier to set up and use compared to other audio interfaces out there. If you're a beginner who has an interest in making music, the device will make your life a lot easier as it comes with a preset for recording vocals. Plus, its USB 2.0 - which means any computer from the last few years should be able to recognize and recognize correctly what you plug into your computer from it. I know it's picky, but I appreciate Edirol Super Quartet because it shows continuing attention to detail. This is particularly important if you are still relatively new to the world of music production, or you simply want to use this device with your existing setup that may not be of the highest quality. And while the interface itself comes with a slew of great features, Edirol Super Quartet also includes easy-to-use reverb and compressor plug-ins for each channel. These plug-ins don't cost extra money either - so for $199. 99, you can have a lot of extra software as well as the interface. Edirol Super Quartet also comes packaged with a suite of loop-based music production tools. In fact, the interface is entirely compatible with Edirol's free Studio One Artist Edition software, which gives musicians access to various virtual instruments and recording tools - allowing you to create both demos and complete songs right out of the box. The sound card is not that impressive at first glance; it has one stereo input and output (the latter works either as an output or an additional input), an headphone output, MIDI I/O (in and out), phantom power for condenser microphones, plus MIDI in and out ports. But it appears that Edirol has done something with the audio processing, because the sound of both inputs is very good. Edirol claims that there are "no compromises", although I cannot absolutely confirm that, but I can say that you can record vocals or acoustic guitar or similar sources with confidence that the recording will sound good. The microphone preamps are on par with many other devices available on the market, but if you are not satisfied with their quality you can always purchase a firewire audio interface of better quality. The main downside of the microphone preamps is their number of channels. While you can get by with only having one microphone input and one headphone output, if you want to record a large ensemble you'll have to go with multiple inputs, or record it with a separate device. In the meantime, I am confident that this device will meet most users needs and I believe that in the future there will be more and more features added that will make Edirol Super Quartet not just an excellent interface but also a very versatile piece of equipment.

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